{"created":"2023-06-20T13:51:01.406265+00:00","id":492,"links":{},"metadata":{"_buckets":{"deposit":"49659001-143d-4ccc-8ee0-3eb3adee4aa3"},"_deposit":{"created_by":3,"id":"492","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"492"},"status":"published"},"_oai":{"id":"oai:oiu.repo.nii.ac.jp:00000492","sets":["1:61:65"]},"author_link":["2477"],"item_1_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2014-01-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"2","bibliographicPageEnd":"70","bibliographicPageStart":"53","bibliographicVolumeNumber":"27","bibliographic_titles":[{"bibliographic_title":"国際研究論叢 : 大阪国際大学紀要"},{"bibliographic_title":"OIU journal of international studies","bibliographic_titleLang":"en"}]}]},"item_1_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"實野, みどり"}],"nameIdentifiers":[{"nameIdentifier":"2477","nameIdentifierScheme":"WEKO"}]}]},"item_1_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ジツノ, ミドリ"}],"nameIdentifiers":[{"nameIdentifier":"2477","nameIdentifierScheme":"WEKO"}]}]},"item_1_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Jitsuno, Midori","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"2477","nameIdentifierScheme":"WEKO"}]}]},"item_1_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_1_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"　Music scores have different styles of description in different editions of publications. When educating students, we should conduct lessons taking into account not only the designated score but also multiple scores from different publishers.  \n　Scores from five different publishers were compared according to their interpretations of music and the influence of the interpretation on the use of the fingers when playing the music.\n","subitem_description_type":"Other"}]},"item_1_source_id_13":{"attribute_name":"雑誌書誌ID","attribute_value_mlt":[{"subitem_source_identifier":"AN10110523","subitem_source_identifier_type":"NCID"}]},"item_1_text_2":{"attribute_name":"記事種別(日)","attribute_value_mlt":[{"subitem_text_value":"論文"}]},"item_1_text_3":{"attribute_name":"記事種別(英)","attribute_value_mlt":[{"subitem_text_language":"en","subitem_text_value":"Article"}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2014-02-07"}],"displaytype":"detail","filename":"27-2-053.pdf","filesize":[{"value":"2.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"27-2-053","url":"https://oiu.repo.nii.ac.jp/record/492/files/27-2-053.pdf"},"version_id":"ae76eef0-fef5-4c27-b5b6-5493790151b5"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"ブルグミュラー25の練習曲Op.100","subitem_subject_scheme":"Other"},{"subitem_subject":"スラー","subitem_subject_scheme":"Other"},{"subitem_subject":"アーティキュレーション","subitem_subject_scheme":"Other"},{"subitem_subject":"指使い","subitem_subject_scheme":"Other"},{"subitem_subject":"全音楽譜出版社","subitem_subject_scheme":"Other"},{"subitem_subject":"ウィーン原典版","subitem_subject_scheme":"Other"},{"subitem_subject":"ペータース版","subitem_subject_scheme":"Other"},{"subitem_subject":"Richard Birnbach Musikverlag版","subitem_subject_scheme":"Other"},{"subitem_subject":"Alfred Masterwork edition　","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"エディションの考え方の違いによる演奏法についての考察〜「ブルグミュラー25の練習曲Op.100」を用いて〜","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"エディションの考え方の違いによる演奏法についての考察〜「ブルグミュラー25の練習曲Op.100」を用いて〜"}]},"item_type_id":"1","owner":"3","path":["65"],"pubdate":{"attribute_name":"公開日","attribute_value":"2014-01-31"},"publish_date":"2014-01-31","publish_status":"0","recid":"492","relation_version_is_last":true,"title":["エディションの考え方の違いによる演奏法についての考察〜「ブルグミュラー25の練習曲Op.100」を用いて〜"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2023-06-20T14:04:36.122268+00:00"}